by Philip Greenspun

Bodie, California.
Note: this is an excerpt from the online book Making Photographs; the full book is available at http://www.photo.net/making-photographs/
Once you've settled on the subject and the light, you have to decide on the relative prominence of objects in the scene. By moving the camera position back and forth, you can adjust the relative size of objects in the scene. After you're happy with the position, you pick a lens whose angle of view encompasses all the objects that you want to include in the photo.

Objects? Relative prominence? I only want to take a picture of my friend Cyrano! There is only one object in the scene and it is Cyrano's head.

Au contraire! The objects in this scene are Cyrano's nose, Cyrano's ears, and Cyrano's eyes. Suppose that you position your camera 10" from Cyrano's eyes. If his nose sticks out 5" in front of his eyes, then it will be only half the distance from the camera as the eyes and therefore relatively more prominent. Stretch out your arm right now and compare the size of your index finger to the lines of text on the monitor. Only about as big as a paragraph, right? Now close your left eye and bring that same finger in until it is just in front of your nose. Note that your finger appears taller than the entire monitor.

Aesthetic tip from MIT: when your nose sticks out 5" in front of your eyes, you don't want it to appear relatively more prominent.

Suppose that you actually want this photo as the "before" illustration in a plastic surgeon's advertisement. Well, then haul out the 24mm wide angle lens and you can have a complete portrait taken from 10" away.

Suppose that you wish to flatter Cyrano. You'll want to back up until you are separated by the length of a football field. Now his nose is still 5" closer to the camera but that is 5" out of 100 yards (note for European readers: 100 yards is just short of half a standard furlong.) So instead of being 50% of the distance to the camera as Cyrano's eyes, the nose is 99.86% of the distance away. It will not be significantly more prominent.

What about the 24mm lens from this camera position? It will give you a nice photo of the entire stadium and the city behind it. Cyrano's face will appear as a portion of a grain of silver on the film. You're now 100 yards away from Cyrano so you will need the Mother of All Telephoto Lenses. In fact, according to the formulas in my Kodak Professional Photoguide, if Cyrano's face is 12" high, you will need a 7500mm lens to fill the frame with it. Cyrano will be flattered but considering that a Canon 600mm lens costs almost $10,000, the effect on your wallet will not be a happy one.

Exactly how long a lens do you need?

How far away is your subject? (in feet)

How high is the object you want to fill the frame? (in feet)

Kid and Telescopes.  Monterey, California.

Apologies to people from countries that have adopted sensible units.

If film and lenses were perfect... you would need only one lens!

In a perfect world, I'd walk about with only my Canon 14 super-wide lens. I'd worry only about my camera position, secure in the knowledge that the 14mm lens was wide enough to capture my entire subject under 99% of conditions. Then if I wanted a picture for my Web site of just my friend in the middle of the frame, I'd crop down to just the center and use that. The result would be the same as if I'd used a 100mm portrait lens.

The reason this doesn't work is that lenses and film aren't perfect. If you throw away 98% of the area of a negative (and/or make a huge enlargement), you can expect to have some pretty crummy looking pixels. So if I'm sure at exposure time that I will want more magnification, it is best for me to carry some higher magnification lenses.


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